Whether negotiating often-treacherous paths through political and religious upheavals or threading their way through dreams and fantasies, the characters in these stories are vivid and compelling enough to challenge and surprise anyone unfamiliar with Iranian life and literature. From the oppressive atmosphere before the Islamic Revolution of 1979 in Simin Daneshvar’s Whom Shall I Greet? to Shahrnoosh Parsipour’s mesmerising story of women who blur distinctions between reality and dreams in Crystal Pendants, these tales brim with the inner lives, attitudes and outlooks of women in Iran.
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The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
‘Editors K. Satyanarayana and Susie Tharu have drawn from their previous experience editing anthologies of Dalit writing from south India to collate poetry, essays, memoir and fiction into an immersive experience of Dalit literature as both aesthetic and socio-political identity.’— LiveMint
Read an excerpt published in the Hindustan Times.
Trotsky’s theory of the permanent revolution is one of the most important additions to the arsenal of marxism. It was first developed by Trotsky in 1904, on the eve of the first Russian Revolution. At that time, all the tendencies of the Russian Social Democracy had the perspective of a bourgeois democratic revolution. Trotsky alone in 1905 put forward the idea that the Russian working class could come to power before the workers of Western Europe. The correctness of Trotsky’s theory was brilliantly demonstrated in 1917, when the Bolshevik Party under Lenin and Trotsky led the Russian proletariat to power in the first workers state in the world.
However, after the death of Lenin in 1924, the theory of the permanent revolution was subject to a vitriolic onslaught by the stalinist bureaucracy, which had in effect renounced world revolution in favour of “socialism in one country”. The attack on the theory came to epitomise the struggle against “Trotskyism”. Today, however, with the collapse of Stalinism (and with it “socialism in one country”), Trotsky’s theory of the permanent revolution has become more relevant than ever.
Publisher : Aakar Publications
Jotiba Phule’s Fight for Liberty
Story: Srividya Natarajan
Art: Aparajita Ninan
In 1873, Jotirao Govindrao Phule wrote Gulamgiri (Slavery), a scathing, witty attack on the Vedas as idle fantasies of the brahman mind which enslaved the shudras and atishudras. A hundred and forty years hence, Srividya Natarajan and Aparajita Ninan breathe fresh life into Phule’s graphic imagination, weaving in the story of Savitribai, Jotiba’s partner in his struggles.
In today’s climate of intolerance, here’s a manifesto of resistance—Phule setting the dynamite of thought to the scriptures and ideas Hindus hold dear.
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