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The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
In 1967, Naxalbari, a village in West Bengal, became the centre of a Mao inspired militant peasant uprising guided by firebrand intellectuals. Today, Naxalism is no longer the Che Guevara-style revolution that it was. Spread across 15 of India’s 28 states, it is one of the world’s biggest, most sophisticated extreme-Left movements, and feeds off the misery and anger of the dispossessed. Since the late 1990s, hardly a week has passed without people dying in strikes and counter-strikes by the Maoists – interchangeably known as the Naxalites – and police and paramilitary forces.
In this disturbing examination of the ‘Other India’, Sudeep Chakravarti combines political history extensive interviews and individual case histories as he travels to the heart of Maoist zones in the country: Chhattisgarh (home to the controversial state-sponsored Salwa Judum programme to contain Naxalism), Jharkhand, West Bengal, Karnataka and Andhra Pradesh (where a serving chief minister was nearly killed in a landmine explosion triggered by the Naxalites). He meets Maoist leaders and sympathizers, policemen, bureaucrats, politicians, security analysts, development workers, farmers and tribals – people, big and small, who comprise the actors and the audience in this war being fought in jungles and impoverished villages across India. What emerges is a sobering picture of a deeply divided society, and the dangers that lie ahead for India.
Rights of Man (1791), a book by Thomas Paine, including 31 articles, posits that popular political revolution is permissible when a government does not safeguard the natural rights of its people. Using these points as a base it defends the French Revolution against Edmund Burke’s attack in Reflections on the Revolution in France (1790).
It was published in two parts in March 1791 and February 1792.
This is the true story of Sikkim, a tiny Buddhist kingdom in the Himalayas that survived the end of the British Empire only to be annexed by India in 1975.It tells the remarkable tale of Thondup Namgyal, the last King of Sikkim, and his American wife, Hope Cooke, thrust unwittingly into the spotlight as they sought support for Sikkim’s independence after their ‘fairytale’ wedding in 1963. As tensions between India and China spilled over into war in the Himalayas, Sikkim became a pawn in the Cold War in Asia during the 1960s and 1970s. Rumours circulated that Hope was a CIA spy. Meanwhile, a shadowy Scottish adventuress, the Kazini of Chakung, married to Sikkim’s leading political figure, coordinated opposition to the Palace. As the world’s major powers jostled for regional supremacy during the early 1970s Sikkim and its ruling family never stood a chance. On the eve of declaring an Emergency across India, Indira Gandhi outwitted everyone to bring down the curtain on the 300 year-old Namgyal dynasty.Based on interviews and archive research, as well as a retracing of a journey the author’s grandfather made in 1922, this is a thrilling, romantic and informative glimpse of a real-life Shangri-La.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
Unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s. Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam the dashing, handsome hero is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.
The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
The Art of War, an ancient Chinese text dating from the Spring and Autumn period of the fifth century BC., is a military treatise attributed to the military strategist, Sun Tzu, also called Sunzi. Each of the thirteen chapters discusses a different aspect of warfare and how it applies to military strategy and tactics. For nearly 1,500 years, it was the lead text in an anthology, which in 1080 became known as Seven Military Classics by the Emperor Shenzong of Song.
Publisher : FP
Drawing on unheard white house tapes, recently declassified documents, and investigative reporting, gary bass uncovers an astonishing story of superpower brinkmanship, war, scandal, and conscience. This is the definitive account of the build-up to the 1971 indo-pakistani war and the birth of bangladesh. In the midst of this cold war cataclysm, the bangladeshis became collateral damage, victims of power games played by nixon, kissinger, yahya khan and even indira gandhi. Revelatory, authoritative and compulsively readable, the blood telegram is a thrilling chronicle of a pivotal chapter in south asian history. Awardspulitzer prize finalista new york times notable book of the yeara washington post notable book of the yearan economist best book of the yeara financial times best book of the yeara new republic best book of the yeara kirkus reviews best book of the year