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2009–2012 War has spread from India’s borders to the forests in the very heart of the country. Here are four essays by Arundhati Roy including the heatedly debated ‘Walking with the Comrades’ that combines a clear-eyed, analytical overview with extraordinary reportage from the ground of the Maoist guerrilla zone and her most recent essay, ‘Capitalism: A Ghost Story’. Broken Republic examines the nature of progress and development in the emerging global superpower, and asks some fundamental questions about the real meaning of civilization itself.
Burmese Days is a novel by English writer George Orwell. It was first published in the United Kingdom in 1934. It is a tale from the waning days of British colonialism, when Burma was ruled from Delhi as a part of British India – “a portrait of the dark side of the British Raj.” At its centre is John Flory, “the lone and lacking individual trapped within a bigger system that is undermining the better side of human nature.” Orwell’s first novel, it describes “corruption and imperial bigotry” in a society where, “after all, natives were natives—interesting, no doubt, but finally…an inferior people”.
Che Guevara: A Biography provides an introduction to the famous revolutionary leader and reveals how his early life prepared him for leadership in the Cuban Revolution.
Krishna Sen “Comrade Ichchhuk” (19 October 1956 – 27 May 2002) was a progressive Nepalese journalist. He was killed in police custody during the Maoist insurgency in Nepal. Sen was the editor of Janadisha, a pro-Maoist vernacular weekly newspaper.
Artist : Preejal Silakar
Medium : Digital Painting
Print Dimension : 12in X 12in
Frame Dimension : 18in X 18in
Frame Material : Wood and Glass
Frame Color : Black
Mounting : White
Paper : Ivory paper 300GSM
Lines written in the art :
हाम्रा स्वरहरूमा प्रतिबन्ध लगाउँदै
हाम्रा ओठहरूमा ताल्चा झुन्ड्याउँदै
तिमी भन्छौ- गाउन त गाऊ
तर यो गीत नगाऊ
हामी भने त्यही गीत गाइरहन्छौँ ।
हाम्रा विचारमा प्रतिबन्ध लाउँदै
हाम्रा हातहरूमा हत्कडी पहि-याउँदै
तिमी भन्छौ- लेख्न त लेख
तर यो गीत नलेख
हामी भने त्यही गीत लेखिरहन्छौँ ।
Krishna Sen “Comrade Ichchhuk” (19 October 1956 – 27 May 2002) was a progressive Nepalese journalist. He was killed in police custody during the Maoist insurgency in Nepal. Sen was the editor of Janadisha, a pro-Maoist vernacular weekly newspaper.
Artist : Preejal Silakar
Medium : Digital Painting
Print Dimension : 12in X 12in
Paper : Ivory paper 300GSM
Lines written in the art :
हाम्रा स्वरहरूमा प्रतिबन्ध लगाउँदै
हाम्रा ओठहरूमा ताल्चा झुन्ड्याउँदै
तिमी भन्छौ- गाउन त गाऊ
तर यो गीत नगाऊ
हामी भने त्यही गीत गाइरहन्छौँ ।
हाम्रा विचारमा प्रतिबन्ध लाउँदै
हाम्रा हातहरूमा हत्कडी पहि-याउँदै
तिमी भन्छौ- लेख्न त लेख
तर यो गीत नलेख
हामी भने त्यही गीत लेखिरहन्छौँ ।
Regarded as the world’s greatest novelist and literary psychologist, Dostoevsky makes his works readable and enjoyable by presenting the political, social and religious issued of the 19th century Russia. This novel also comes in this line.
Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky’s full-length novels following his return from 5 years of exile in Siberia. Crime and Punishment is considered the first great novel of his “mature” period of writing.
Culture and Imperialism is a 1993 collection of essays by Edward Said, in which the author attempts to trace the connection between imperialism and culture in the 18th, 19th, and 20th centuries. It followed his highly influential Orientalism, published in 1978.
Said conceived of Culture and Imperialism as an attempt to “expand the argument” of Orientalism “to describe a more general pattern of relationships between the modern metropolitan west and its overseas territories.
In this situation of internal war, not satisfied with the knowledge offered by books and documents, Gautam Navlakha went into the heart of Bastar to get to know the Maoists first hand. This book is an account of the fortnight he spent in the guerilla zone where the Maoists run their people s government, the Jantana Sarkar. His enquiry unflinching and his perspective critical but partisan, Navlakha succeeds in the difficult task of making the demonized human, laying bare the heartland of rebellion.
East, West is a 1994 anthology of short stories by Salman Rushdie. The book is divided into three main sections, entitled “East”, “West”, and “East, West”, each section containing stories from their respective geographical areas (in the “East, West” section both worlds are influenced by each other). Though Rushdie himself never divulged the exact inspirations for his stories in East, West, it is commonly thought that the central themes of each of his stories are drawn from his personal experiences as an immigrant in England during the time of the fatwas issued against his life. Rushdie weaves in many pop cultural references into his stories, just as television and Western media such as MTV and movies like Rambo have become popular throughout the world and on the Indian subcontinent. The influence and travels of Indians and Indian culture is also shown in the West.
The poor in India are, too often, reduced to statistics. In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.
The human face of poverty. The poor in India are, too often, reduced to statistics. In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.
Fanshen: A Documentary of Revolution in a Chinese Village is a 1966 book by William H. Hinton that describes the land-reform campaign during the Chinese Civil War conducted from 1945 to 1948 by the Chinese Communist Party in “Long Bow Village” (the name used in the book for the village of Zhangzhuangcun in Shanxi province). Hinton lived in the village in spring and summer of 1948 and witnessed scenes described in the book and recreates earlier events based on local records and interviews with participants. He explains party strategy to present the campaign’s successes in building a revolutionary consciousness and a power-base among the poor peasants, but also its errors and excesses, especially the violence toward rich peasants and landlords. Fanshen has been compared to Edgar Snow’s Red Star Over China and characterized as “perhaps the book that most changed American cold war perceptions of the Chinese Revolution.”
Originally published: 1966
Author: William H. Hinton
This new edition of Eduardo Galeano’s riveting commentary on the history and politics of soccer includes newly written material on the 2002 World Cup, which one quarter of humanity watched. Discussing everything from the leveling of the Twin Towers to the death of the sole survivor of that extraordinary match between British and German soldiers in 1915, one of South America’s greatest commentators issues forth on robotic soccer in Japan, the mass-production of the game as a sign of the decline of civilization, the amazing success of Senegal and Turkey, and how Nike beat Adidas.
French Lover is the story of Nilanjana, a young Bengali woman from Kolkata who moves to Paris after getting married to Kishanlal, a restaurant owner. Kishanlal’s luxurious apartment seems to be a gilded cage for Nilanjana, and she feels stifled within its friendless confines. Her marriage, where she functions as little more than a housekeeper and sex object, is far from fulfilling and Nilanjana desperately looks for a way out of the boredom and depression that threaten to engulf her. It is at this point that she meets Benoir Dupont, a blond, blue-eyed handsome Frenchman, and is swept off her feet. Benoir introduces Nilanjana to the streets, cafes and art galleries of Paris. In her passionate, sexually liberating relationship with Benoir, she finally begins to have an inkling of her own desires. The relationship ends when Nilanjana realises that Benoir’s first priority is himself and not the woman he loves, and that her need for him has ended. But her road to self-discovery has only just begun. Bold in concept and powerful in execution, French Lover is a fascinating glimpse into the workings of a woman’s mind as she struggles to come to terms with her identity in a hostile world.
Fury, published in 2001, is the seventh novel by postcolonial author Salman Rushdie. Rushdie depicts contemporary New York City as the epicenter of globalization and all of its tragic flaws.
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
“Though there is darkness and silence at the center of Chup, most of Haroun and the Sea of Stories is full of comic energy and lively verbal invention. . . .Though [the book] is sure to be enjoyed by children, it also contains amusements for adults.” — The New York Times