“We are sorry for the inconvenience, but this is a revolution.” (Turquoise Blue)
₨ 1,500.00
“We are sorry for the inconvenience, but this is a revolution.” is the title of the work and is derived from the famous Zapatista quotation. This poster is a tribute to all the Zapatista movement and to all the movement that were inspired by it around the globe. The turquoise blue one is slightly different from the earthy toned one.
Artist : Bernardo Ramonfaur
Medium : Digital Painting
Print Dimension : 12in X 15in
Paper : Ivory paper 300GSM
[ NOTE : All the profit, excluding the production cost, will go to People’s Library]
“We are sorry for the inconvenience, but this is a revolution.” is the title of the work and is derived from the famous Zapatista quotation. This poster is a tribute to all the Zapatista movement and to all the movement that were inspired by it around the globe. The turquoise blue one is slightly different from the earthy toned one.
Artist : Bernardo Ramonfaur
Medium : Digital Painting
Print Dimension : 12in X 15in
Paper : Ivory paper 300GSM
[ NOTE : All the profit, excluding the production cost, will go to People’s Library]
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‘Angela Davis swings a wrecking ball into the racist and sexist underpinnings of the American prison system’—Cynthia McKinney, former Congresswoman, US.
Davis’ central point is worth studying and bringing to the foreground in the prison reform movement. She argues that prisons do not solve crime. Within the last two decades the prison boom simply has intensified the criminalization of certain types of behavior, rather than having brought official crime rates down.—http://www.politicalaffairs.net
Choudhury, here, reignites the debate over the appropriation of Ambedkar. Amidst rising echoes for Ambedkar-Marx, Ambedkar-Marx-Bhagat Singh, Ambedkar-Marx-Gandhi-Bhagat Singh, he provocatively asks us to think of Ambedkar’s singular exceptionality—from an excerpt in Indian Cultural Forum
What is most interesting about this difficult but beautiful book is that it is committed to the task of exposing the naked antagonisms that snake across the cracked surfaces of these oppressive structures. —Scroll.in
Nowadays when Ambedkar scholarship has become an industry, Choudhury’s thesis approaches him from an entirely new perspective.—The Telegraph
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