Strange Pilgrims | Gabriel García Márquez
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In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself. In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact.
In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.
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with an Introduction,‘The Doctor and the Saint’ by Arundhati Roy
Annihilation of Caste ‘posseses a generic openness to the wounds and decisions of existence which can breach the prisons of the world as no amount of scholarship can’—Biblio
Read a comprehensive interview with Arundhati Roy in Outlook, where she says, ‘Caste is at the heart of the rot in our society. Quite apart from what it has done to the subordinated castes, it has corroded the moral core of the privileged castes. We need to take Ambedkar seriously.’
Arrow of God is a 1964 novel by Chinua Achebe, his third. It followed his book Things Fall Apart. These two works, along with the third book, No Longer at Ease, are sometimes called The African Trilogy, as they share similar settings and themes. The novel centers on Ezeulu, the chief priest of several Igbo villages in Colonial Nigeria, who confronts colonial powers and Christian missionaries in the 1920s. The novel was published as part of the influential Heinemann African Writers Series.
The phrase “Arrow of God” is drawn from an Igbo proverb in which a person, or sometimes an event, is said to represent the will of God. Arrow of God won the first ever Jock Campbell/New Statesman Prize for African writing.
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
Translated from the Hindi by Madhu Singh With a foreword by Angela Y. Davis
September 1970. Ramchandra Singh enters the Hardoi District Jail in Uttar Pradesh as a naxalite undertrial. Barely twenty, his life of expanding prospects—in studies, politics and love—is reduced to the horizon of a life term. The odds are stacked against the survival of his humanity and imagination, but Singh regenerates his gifts of empathy, humour, reflection and, above all, language—in a secret diary smuggled out with the help of friends.
A singular record of recent history and of individual witness, Singh’s prison diary, newly expanded, appears in English for the first time. Offering unprecedented intimacy with the everyday life of the imprisoned everyman, Singh challenges us to look without flinching and question our assumptions about crime and punishment.
Ramchandra Singh (1949–2018), of Bangarmau village in Unnao district of Uttar Pradesh, was a member of the Communist Party of India (Marxist–Leninist) Red Star, and served on its Central Committee. He was part of the editorial board of Red Star Monthly (Hindi). He passed away when this book was in press.
Madhu Singh is a professor in the Department of English and Modern European Languages, University of Lucknow. She has previously translated the scholar G.N. Devy’s work, A Nomad Called Thief, into Hindi as Ghumantu Hain Chor Nahin.
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