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The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
No Longer at Ease is a 1960 novel by Nigerian author Chinua Achebe. It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Nigerian colonial civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe. The novel is the second work in what is sometimes referred to as the “African trilogy”, following Things Fall Apart and preceding Arrow of God. Things Fall Apart concerns the struggle of Obi Okonkwo’s grandfather Okonkwo against the changes brought by the English.
No Longer at Ease is a 1960 novel by Nigerian author Chinua Achebe. It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Nigerian colonial civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe. The novel is the second work in what is sometimes referred to as the “African trilogy”, following Things Fall Apart and preceding Arrow of God. Things Fall Apart concerns the struggle of Obi Okonkwo’s grandfather Okonkwo against the changes brought by the English.
Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy’s heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey’s extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.
The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as “magical realism.”
Shame is Salman Rushdie’s third novel, published in 1983. This book was written out of a desire to approach the problem of “artificial” (other-made) country divisions, their residents’ complicity, and the problems of post-colonialism, when Pakistan was created to separate the Muslims from the Hindus, when England gave up control of “India”…
The book was written in the style of magic realism. It portrays the lives of Iskander Harappa (sometimes assumed to be Zulfikar Ali Bhutto), and General Raza Hyder (sometimes assumed to be General Muhammad Zia-ul-Haq), and their relationship. The central theme of the novel is that begetting “shame” begets violence. The concepts of ‘shame’ and ‘shamelessness’ are explored through all of the characters, with main focus on Sufiya Zinobia and Omar Khayyám.
This is the true story of Sikkim, a tiny Buddhist kingdom in the Himalayas that survived the end of the British Empire only to be annexed by India in 1975.It tells the remarkable tale of Thondup Namgyal, the last King of Sikkim, and his American wife, Hope Cooke, thrust unwittingly into the spotlight as they sought support for Sikkim’s independence after their ‘fairytale’ wedding in 1963. As tensions between India and China spilled over into war in the Himalayas, Sikkim became a pawn in the Cold War in Asia during the 1960s and 1970s. Rumours circulated that Hope was a CIA spy. Meanwhile, a shadowy Scottish adventuress, the Kazini of Chakung, married to Sikkim’s leading political figure, coordinated opposition to the Palace. As the world’s major powers jostled for regional supremacy during the early 1970s Sikkim and its ruling family never stood a chance. On the eve of declaring an Emergency across India, Indira Gandhi outwitted everyone to bring down the curtain on the 300 year-old Namgyal dynasty.Based on interviews and archive research, as well as a retracing of a journey the author’s grandfather made in 1922, this is a thrilling, romantic and informative glimpse of a real-life Shangri-La.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty. The book provides unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s.
The Autobiography of Malcolm X was published in 1965, the result of a collaboration between human rights activist Malcolm X and journalist Alex Haley. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and Malcolm X’s 1965 assassination. The Autobiography is a spiritual conversion narrative that outlines Malcolm X’s philosophy of black pride, black nationalism, and pan-Africanism. After the leader was killed, Haley wrote the book’s epilogue. He described their collaborative process and the events at the end of Malcolm X’s life.
Drawing on unheard white house tapes, recently declassified documents, and investigative reporting, gary bass uncovers an astonishing story of superpower brinkmanship, war, scandal, and conscience. This is the definitive account of the build-up to the 1971 indo-pakistani war and the birth of bangladesh. In the midst of this cold war cataclysm, the bangladeshis became collateral damage, victims of power games played by nixon, kissinger, yahya khan and even indira gandhi. Revelatory, authoritative and compulsively readable, the blood telegram is a thrilling chronicle of a pivotal chapter in south asian history. Awardspulitzer prize finalista new york times notable book of the yeara washington post notable book of the yearan economist best book of the yeara financial times best book of the yeara new republic best book of the yeara kirkus reviews best book of the year
This tale of the machinations, massacre and bloodletting that rocked Nepal’s power centre—the royal palace—will give you a rare and fascinating glimpse into one of the least-known and most violent power struggles that South Asia has ever seen.
The Enchantress of Florence is the ninth novel by Salman Rushdie, published in 2008. According to Rushdie this is his “most researched book” which required “years and years of reading”.
The novel was published on 11 April 2008 by Jonathan Cape London, and in the United States by Random House.
‘Editors K. Satyanarayana and Susie Tharu have drawn from their previous experience editing anthologies of Dalit writing from south India to collate poetry, essays, memoir and fiction into an immersive experience of Dalit literature as both aesthetic and socio-political identity.’— LiveMint
Read an excerpt published in the Hindustan Times.
The God of Small Things is the debut novel of Indian writer Arundhati Roy. It is a story about the childhood experiences of fraternal twins whose lives are destroyed by the “Love Laws” that lay down “who should be loved, and how. And how much.” The book explores how the small things affect people’s behavior and their lives. It won the Booker Prize in 1997.
The God of Small Things was Roy’s first book and only novel until the 2017 publication of The Ministry of Utmost Happiness twenty years later. She began writing the manuscript for The God of Small Things in 1992 and finished four years later, in 1996. It was published the following year. The potential of the story was first recognized by Pankaj Mishra, an editor with HarperCollins, who sent it to three British publishers. Roy received £500,000 in advance and rights to the book were sold in 21 countries.
The Wretched of the Earth (French: Les Damnés de la Terre) is a 1961 book by Frantz Fanon, in which the author provides a psychiatric and psychologic analysis of the dehumanizing effects of colonization upon the individual and the nation, and discusses the broader social, cultural, and political implications inherent to establishing a social movement for the decolonization of a person and of a people. The French-language title derives from the opening lyrics of “The Internationale”.
The Wretched of the Earth (French: Les Damnés de la Terre) is a 1961 book by Frantz Fanon, in which the author provides a psychiatric and psychologic analysis of the dehumanizing effects of colonization upon the individual and the nation, and discusses the broader social, cultural, and political implications inherent to establishing a social movement for the decolonization of a person and of a people. The French-language title derives from the opening lyrics of “The Internationale”.
More than two million copies of Things Fall Apart have been sold in the United States since it was first published here in 1959. Worldwide, there are eight million copies in print in fifty different languages. This is Chinua Achebe’s masterpiece and it is often compared to the great Greek tragedies, and currently sells more than one hundred thousand copies a year in the United States.
A simple story of a “strong man” whose life is dominated by fear and anger, Things Fall Apart is written with remarkable economy and subtle irony. Uniquely and richly African, at the same time it reveals Achebe’s keen awareness of the human qualities common to men of all times and places.
“Mulk Raj Anand is one of the three greatest Indian novelists writing novels in English, the other two being Raja Rao and R. K. Narayan. His literary career spans a period of more than thirty-six years. Untouchable, the first novel of Mulk Raj Anand, was first published in 1935. Since its publication, the novel has become immensely popular and it has been translated into more than twenty world languages.