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The profound insights offered in Jangalnama are the result of Satnam s close observation of the guerillas and adivasis of Bastar. Varavara Rao Maoist guerillas always on the move, always on guard living deep in the jungles of Bastar. Outlawed, demonized and hunted by the state, they are perceived with fear, incomprehension and terror by the outside world. Satnam spent two months in remarkable intimacy with the guerrillas: travelling with them, sharing their food and shelter, experiencing their lives first hand. Through his up-close and personal account of their daily lives, we register them as human, made of flesh and bone. We are persuaded to appreciate their commitment to root out oppression.
Jangalnama is not merely a travelogue recording Satnam s days in the jungle. It is a compelling argument to recognize the humanity of those in conflict with the mainstream of Indian society and to acknowledge their dream of a world free of exploitation.
This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Writing with great feeling and empathy about the fallen and the rejects of society, Manto the supreme humanist shows how the essential goodness of people does not die even in the face of unimaginable suffering. Powerful and deeply moving, these stories remain as relevant today as they were first published more than half a century ago.
A savage indictment of religious extremism and man s inhumanity to man, Lajja was banned in Bangladesh but became a bestseller in the rest of the world. This brand-new translation marks the twentieth anniversary of this controversial novel.
The Dattas Sudhamoy and Kironmoyee, and their children, Suronjon and Maya have lived in Bangladesh all their lives. Despite being members of a small Hindu community that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, unlike most of their friends and relatives. Sudhamoy believes with a naive mix of optimism and idealism that his motherland will not let him down. And then, on 6 December 1992, the Babri Masjid at Ayodhya is demolished by a mob of Hindu fundamentalists. The world condemns the incident, but its immediate fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus. The nightmare inevitably arrives at the Dattas doorstep, and their world begins to fall apart.
This Ideas Of Lenin And Trotsky Are Without Doubt The Most Distorted And Slandered In Histoy. For More Than Eighty Years, They Have Been Subjected To An Onslaught From The Apolgists Of Capitalism, Who Have Attempted To Present Their Ideas – Bolshevism – As Both Totalitarian An Utopian. An Entire Industry Was Developed In An Attempt To Equate The Crimes Of Stalinism With The Regime Of Workers’ Democracy That Existed Under Lenin And Trotsky.
Authors : Alan Woods, Ted Grant
Publisher : Aakar Publications
Lolita is a 1955 novel written by Russian-American novelist Vladimir Nabokov. Many authors consider it the greatest work of the 20th century, and it has been included in several lists of best books, such as Time’s List of the 100 Best Novels, Le Monde’s 100 Books of the Century, Bokklubben World Library, Modern Library’s 100 Best Novels, and The Big Read. The novel is notable for its controversial subject: the protagonist and unreliable narrator, a middle-aged literature professor under the pseudonym Humbert Humbert, is obsessed with a 12-year-old girl, Dolores Haze, with whom he becomes sexually involved after he becomes her stepfather. “Lolita” is his private nickname for Dolores. The novel was originally written in English and first published in Paris in 1955 by Olympia Press. Later it was translated into Russian by Nabokov himself and published in New York City in 1967 by Phaedra Publishers.
Lolita quickly attained a classic status. The novel was adapted into a film by Stanley Kubrick in 1962, and another film by Adrian Lyne in 1997. It has also been adapted several times for the stage and has been the subject of two operas, two ballets, and an acclaimed but commercially unsuccessful Broadway musical. Its assimilation into popular culture is such that the name “Lolita” has been used to imply that a young girl is sexually precocious.
With a preface by Adrienne Rich, Manifesto presents the radical vision of four famous young rebels: Marx and Engels’ Communist Manifesto, Rosa Luxemburg’s Reform or Revolution and Che Guevara’s Socialism and Humanity.
‘Spence draws upon his extensive knowledge of Chinese politics and culture to create an illuminating picture of Mao. . . . Superb.’ (Chicago Tribune) From humble origins in the provinces, Mao Zedong rose to absolute power, unifying with an iron fist a vast country torn apart by years of weak leadership, colonialism, and war. This sharply drawn and insightful account brings to life this modern-day emperor and the tumultuous era that he did so much to shape.
Jonathan Spence captures Mao in all his paradoxical grandeur and sheds light on the radical transformation he unleashed that still reverberates in China today.
One-sixth of all Indians today live in areas of armed conflict. Seeking solutions, this book is a holistic examination of present armed conflicts as well as the past ones in Punjab and Mizoram, illuminating their common roots, as well as the responses of the state and civil society. The authors show how insurgencies are propelled by a complex mix of issues: the denial of justice and rights, identity concerns, and the breakdown of the social and symbolic order, rather than merely poverty and lack of education. Draconian laws like the Armed Forces (Special Powers) Act and measures like encounters, crackdowns and Salwa Judum aggravate the sense of collective victimhood and feelings of alienation from the national community.
This book examines the uses made of anthropology by Marx and Engels, and the uses made of Marxism by anthropologists. Looking at the writings of Marx and Engels on primitive societies, the book evaluates their views in the light of present knowledge and draws attention to inconsistencies in their analysis of pre-capitalist societies. These inconsistencies can be traced to the influence of contemporary anthropologists who regarded primitive societies as classless. As Marxist theory was built around the idea of class, without this concept the conventional Marxist analysis foundered.
First published in 1983.
This book extends the theme of Raymond Williams’s earlier work in literary and cultural analysis. He analyses previous contributions to a Marxist theory of literature from Marx himself to Lukacs, Althusser, and Goldmann, and develops his own approach by outlining a theory of `cultural materialism’ which integrates Marxist theories of language with Marxist theories of literature. Williams moves from a review of the growth of the concepts of literature and idealogy to a redefinition of `determinism’ and `hegemony’. His incisive discussion of the ‘social material process’ of cultural activity culminates in a re-examination of the problems of alignment and commitment and of the creative practice in individual authors and wider social groups.
Mottled Dawn Is A Collection Of Saadat Hasan Manto S Most Powerful Pieces On The Partition Of The Subcontinent Into India And Pakistan In 1947. The Book Includes Unforgettable Stories Like Toba Tek Singh , The Return , The Assignment , Colder Than Ice And Many More, Bringing Alive The Most Tragic Event In The History Of The Indian Subcontinent.
A concise biography of Netaji Subhas Chandra Bose meant for the young. The book will help to inculcate in the rising generation the basic human qualities like partriotism, national unity, self-sacrifice, courage and a concern for the poor of which Netaji was the shining example.
Krishna Bose is an eminent writer, educationist and parliamentarian. Educated at Calcutta University, she taught for 40 years at the City College of Calcutta where she was Head of the Department of English and for 8 years the Principal. She is a leading contemporary writer of Calcutta.
No Longer at Ease is a 1960 novel by Nigerian author Chinua Achebe. It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Nigerian colonial civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe. The novel is the second work in what is sometimes referred to as the “African trilogy”, following Things Fall Apart and preceding Arrow of God. Things Fall Apart concerns the struggle of Obi Okonkwo’s grandfather Okonkwo against the changes brought by the English.
Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy’s heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey’s extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.
Purple Hibiscus is set in postcolonial Nigeria, a country beset by political instability and economic difficulties. The central character is Kambili Achike, aged fifteen for much of the period covered by the book, a member of a wealthy family dominated by her devoutly Catholic father, Eugene. Eugene is both a religious zealot and a violent figure in the Achike household, subjecting his wife Beatrice, Kambili herself, and her brother Jaja to beatings and psychological cruelty.
The story is told through Kambili’s eyes and is essentially about the disintegration of her family unit and her struggle to grow to maturity. A key period is the time Kambili and her brother spend at the house of her father’s sister, Ifeoma, and her three children. This household offers a marked contrast to what Kambili and Jaja are used to. It practices a completely different form of Catholicism, making for a happy, liberal place that encourages its members to speak their minds. In this nurturing environment, both Kambili and Jaja become more open and more able to voice their own opinions. While at Aunty Ifeoma’s, Kambili also falls in love with a young priest, Father Amadi, which awakens her sense of her own sexuality.
Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
In 1967, Naxalbari, a village in West Bengal, became the centre of a Mao inspired militant peasant uprising guided by firebrand intellectuals. Today, Naxalism is no longer the Che Guevara-style revolution that it was. Spread across 15 of India’s 28 states, it is one of the world’s biggest, most sophisticated extreme-Left movements, and feeds off the misery and anger of the dispossessed. Since the late 1990s, hardly a week has passed without people dying in strikes and counter-strikes by the Maoists – interchangeably known as the Naxalites – and police and paramilitary forces.
In this disturbing examination of the ‘Other India’, Sudeep Chakravarti combines political history extensive interviews and individual case histories as he travels to the heart of Maoist zones in the country: Chhattisgarh (home to the controversial state-sponsored Salwa Judum programme to contain Naxalism), Jharkhand, West Bengal, Karnataka and Andhra Pradesh (where a serving chief minister was nearly killed in a landmine explosion triggered by the Naxalites). He meets Maoist leaders and sympathizers, policemen, bureaucrats, politicians, security analysts, development workers, farmers and tribals – people, big and small, who comprise the actors and the audience in this war being fought in jungles and impoverished villages across India. What emerges is a sobering picture of a deeply divided society, and the dangers that lie ahead for India.
Revolutionaries is vintage Hobsbawm, written masterfully amid one of the century’s most intense periods of political and social upheaval, putting those events in historical context. Few observers were as astute as Hobsbawm at probing, criticizing, and clarifying radical movements, whether in Beijing or Berkeley. Ranging from historical investigations into communism to contemporary appraisals of revolutionary movements and meditations on Marxism, Hobsbawm’s commentaries are essential guides to ideas and people that changed the face of the twentieth century.
Rights of Man (1791), a book by Thomas Paine, including 31 articles, posits that popular political revolution is permissible when a government does not safeguard the natural rights of its people. Using these points as a base it defends the French Revolution against Edmund Burke’s attack in Reflections on the Revolution in France (1790).
It was published in two parts in March 1791 and February 1792.
Shalimar the Clown is a 2005 novel by Salman Rushdie. The novel took Rushdie four years to write, and was initially published on 6 September 2005 by Jonathan Cape. Shalimar the Clown derives its name from Shalimar Gardens, in the vicinity of Srinagar. Srinagar is one of several Mughal Gardens, which were laid out in several parts of undivided India when the Mughals reigned over the subcontinent. Shalimar is also the name of one of the characters featured in the novel. Shalimar the Clown won the 2005 Vodafone Crossword Book Award and was one of the finalists for the 2005 Whitbread Book Awards.
Shame is Salman Rushdie’s third novel, published in 1983. This book was written out of a desire to approach the problem of “artificial” (other-made) country divisions, their residents’ complicity, and the problems of post-colonialism, when Pakistan was created to separate the Muslims from the Hindus, when England gave up control of “India”…
The book was written in the style of magic realism. It portrays the lives of Iskander Harappa (sometimes assumed to be Zulfikar Ali Bhutto), and General Raza Hyder (sometimes assumed to be General Muhammad Zia-ul-Haq), and their relationship. The central theme of the novel is that begetting “shame” begets violence. The concepts of ‘shame’ and ‘shamelessness’ are explored through all of the characters, with main focus on Sufiya Zinobia and Omar Khayyám.
This is the true story of Sikkim, a tiny Buddhist kingdom in the Himalayas that survived the end of the British Empire only to be annexed by India in 1975.It tells the remarkable tale of Thondup Namgyal, the last King of Sikkim, and his American wife, Hope Cooke, thrust unwittingly into the spotlight as they sought support for Sikkim’s independence after their ‘fairytale’ wedding in 1963. As tensions between India and China spilled over into war in the Himalayas, Sikkim became a pawn in the Cold War in Asia during the 1960s and 1970s. Rumours circulated that Hope was a CIA spy. Meanwhile, a shadowy Scottish adventuress, the Kazini of Chakung, married to Sikkim’s leading political figure, coordinated opposition to the Palace. As the world’s major powers jostled for regional supremacy during the early 1970s Sikkim and its ruling family never stood a chance. On the eve of declaring an Emergency across India, Indira Gandhi outwitted everyone to bring down the curtain on the 300 year-old Namgyal dynasty.Based on interviews and archive research, as well as a retracing of a journey the author’s grandfather made in 1922, this is a thrilling, romantic and informative glimpse of a real-life Shangri-La.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
Unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s. Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam the dashing, handsome hero is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.
With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty. The book provides unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s.