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When India detonated a thermonuclear device in May 1998, Arundhati Roy wrote The End of Imagination . Since then she has written with clarity, precision and insight about a range of subjects of the utmost importance. This second volume of her collected writing brings together fourteen essays written between June 2002 and November 2004. In these essays she draws the thread of empire through seemingly unconnected arenas, uncovering the links between America s War on Terror, the growing threat of corporate power, the response of nation states to resistance movements, the role of NGOs, caste and communal politics in India, and the perverse machinery of an increasingly corporatized mass media. Meticulously researched and carefully argued, The Ordinary Person s Guide to Empire is a necessary work for our times.
with an Introduction,‘The Doctor and the Saint’ by Arundhati Roy
Annihilation of Caste ‘posseses a generic openness to the wounds and decisions of existence which can breach the prisons of the world as no amount of scholarship can’—Biblio
Read a comprehensive interview with Arundhati Roy in Outlook, where she says, ‘Caste is at the heart of the rot in our society. Quite apart from what it has done to the subordinated castes, it has corroded the moral core of the privileged castes. We need to take Ambedkar seriously.’
The chant of ‘Azadi!’ – Urdu for ‘Freedom!’ – is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.
2009–2012 War has spread from India’s borders to the forests in the very heart of the country. Here are four essays by Arundhati Roy including the heatedly debated ‘Walking with the Comrades’ that combines a clear-eyed, analytical overview with extraordinary reportage from the ground of the Maoist guerrilla zone and her most recent essay, ‘Capitalism: A Ghost Story’. Broken Republic examines the nature of progress and development in the emerging global superpower, and asks some fundamental questions about the real meaning of civilization itself.
Listening to Grasshoppers: Field Notes on Democracy (2009) is a collection of essays written by Booker Prize winner Arundhati Roy. Written between 2002 and 2008, the essays have been published in various left-leaning newspapers and magazines in India. The first edition of the book consists of eleven essays with an introduction by Roy was published by Hamish Hamilton in India.
The God of Small Things is the debut novel of Indian writer Arundhati Roy. It is a story about the childhood experiences of fraternal twins whose lives are destroyed by the “Love Laws” that lay down “who should be loved, and how. And how much.” The book explores how the small things affect people’s behavior and their lives. It won the Booker Prize in 1997.
The God of Small Things was Roy’s first book and only novel until the 2017 publication of The Ministry of Utmost Happiness twenty years later. She began writing the manuscript for The God of Small Things in 1992 and finished four years later, in 1996. It was published the following year. The potential of the story was first recognized by Pankaj Mishra, an editor with HarperCollins, who sent it to three British publishers. Roy received £500,000 in advance and rights to the book were sold in 21 countries.
The Ministry of Utmost Happiness takes us on an intimate journey across the Indian subcontinent—from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war. Braiding together the lives of a diverse cast of characters who have been broken by the world they live in and then rescued, patched together by acts of love—and by hope, here Arundhati Roy reinvents what a novel can do and can be.
The shape of the beast is our world laid bare, with great courage, passion and eloquence, by a mind that has engaged unhesitatingly with its changing realities, often anticipating the way things have moved in the last decade in the fourteen interviews collected here, conducted between january 2001 and september 2008, arundhati roy examines the nature of state and corporate power as it has emerged during this period, and the shape that resistance movements are taking as she speaks, among other things, about people displaced by dams and industry, the genocide in gujarat, maoist rebels, the war in kashmir and the global war on terror, she raises fundamental questions about democracy, justice and non-violent protest unabashedly political, this is also a deeply personal collection through the conversations, arundhati talks about the necessity of taking a stand, as also the dilemma of guarding the private space necessary for writing in a world that demands urgent, unequivocal intervention and in the final interview, she discusses with uncommon candour her ambiguous feelings about success and both the pressures and the freedom that come with it