I Dream Like You: Stories We Walk Past | Saker Mistri
₨ 632.00 ₨ 443.00
Their dreams were not too different from ours. Each one achieved success—school principal, poet, police constable, chartered accountant and social entrepreneur. But the road was long, the hurdles seemingly unpassable. The real-life narratives of the twenty-five young writers in this book reveal the bridges they built between the slum communities they were born in and the world outside.
These are stories we walk past, faces we don’t stop to notice. These voices show a maturity beyond their years, reminding us that honesty, courage, success and compassion are in each one of us if we are given the right opportunities to develop them.
1 in stock
Their dreams were not too different from ours. Each one achieved success—school principal, poet, police constable, chartered accountant and social entrepreneur. But the road was long, the hurdles seemingly unpassable. The real-life narratives of the twenty-five young writers in this book reveal the bridges they built between the slum communities they were born in and the world outside.
These are stories we walk past, faces we don’t stop to notice. These voices show a maturity beyond their years, reminding us that honesty, courage, success and compassion are in each one of us if we are given the right opportunities to develop them.
Related products
‘Angela Davis swings a wrecking ball into the racist and sexist underpinnings of the American prison system’—Cynthia McKinney, former Congresswoman, US.
Davis’ central point is worth studying and bringing to the foreground in the prison reform movement. She argues that prisons do not solve crime. Within the last two decades the prison boom simply has intensified the criminalization of certain types of behavior, rather than having brought official crime rates down.—http://www.politicalaffairs.net
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
Choudhury, here, reignites the debate over the appropriation of Ambedkar. Amidst rising echoes for Ambedkar-Marx, Ambedkar-Marx-Bhagat Singh, Ambedkar-Marx-Gandhi-Bhagat Singh, he provocatively asks us to think of Ambedkar’s singular exceptionality—from an excerpt in Indian Cultural Forum
What is most interesting about this difficult but beautiful book is that it is committed to the task of exposing the naked antagonisms that snake across the cracked surfaces of these oppressive structures. —Scroll.in
Nowadays when Ambedkar scholarship has become an industry, Choudhury’s thesis approaches him from an entirely new perspective.—The Telegraph
Arrow of God is a 1964 novel by Chinua Achebe, his third. It followed his book Things Fall Apart. These two works, along with the third book, No Longer at Ease, are sometimes called The African Trilogy, as they share similar settings and themes. The novel centers on Ezeulu, the chief priest of several Igbo villages in Colonial Nigeria, who confronts colonial powers and Christian missionaries in the 1920s. The novel was published as part of the influential Heinemann African Writers Series.
The phrase “Arrow of God” is drawn from an Igbo proverb in which a person, or sometimes an event, is said to represent the will of God. Arrow of God won the first ever Jock Campbell/New Statesman Prize for African writing.
Reviews
There are no reviews yet.