The Art of War
₨ 318.00
The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
Twenty-Five Hundred years ago, Sun Tzu wrote this classic book of military strategy based on Chinese warfare and military thought. Since that time, all levels of military have used the teaching on Sun Tzu to warfare and civilization have adapted these teachings for use in politics, business and everyday life. The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
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The profound insights offered in Jangalnama are the result of Satnam s close observation of the guerillas and adivasis of Bastar. Varavara Rao Maoist guerillas always on the move, always on guard living deep in the jungles of Bastar. Outlawed, demonized and hunted by the state, they are perceived with fear, incomprehension and terror by the outside world. Satnam spent two months in remarkable intimacy with the guerrillas: travelling with them, sharing their food and shelter, experiencing their lives first hand. Through his up-close and personal account of their daily lives, we register them as human, made of flesh and bone. We are persuaded to appreciate their commitment to root out oppression.
Jangalnama is not merely a travelogue recording Satnam s days in the jungle. It is a compelling argument to recognize the humanity of those in conflict with the mainstream of Indian society and to acknowledge their dream of a world free of exploitation.
with an Introduction,‘The Doctor and the Saint’ by Arundhati Roy
Annihilation of Caste ‘posseses a generic openness to the wounds and decisions of existence which can breach the prisons of the world as no amount of scholarship can’—Biblio
Read a comprehensive interview with Arundhati Roy in Outlook, where she says, ‘Caste is at the heart of the rot in our society. Quite apart from what it has done to the subordinated castes, it has corroded the moral core of the privileged castes. We need to take Ambedkar seriously.’
‘To be sure, When Google Met WikiLeaks is a vital book, an admirably direct and clear-eyed attempt to make sense of the modern-day privacy and freedom of speech debates’—The Sunday Guardian
‘For those interested to know how present-day geopolitics, surveillance, censorship and publishing (if not foreign policy itself) are being shaped by the gods of the internet, this is recommended reading’—The Telegraph
‘In When Google Met Wikileaks, Assange makes a case for the dark net by suggesting that the open web site we all know best has sinister intentions’—The Independent
‘The most important accomplishment of the book may be the connection Assange establishes between the Google Politic and the ambitions set loose in Digital Age’—Prague Post
Translated from the Hindi by Madhu Singh With a foreword by Angela Y. Davis
September 1970. Ramchandra Singh enters the Hardoi District Jail in Uttar Pradesh as a naxalite undertrial. Barely twenty, his life of expanding prospects—in studies, politics and love—is reduced to the horizon of a life term. The odds are stacked against the survival of his humanity and imagination, but Singh regenerates his gifts of empathy, humour, reflection and, above all, language—in a secret diary smuggled out with the help of friends.
A singular record of recent history and of individual witness, Singh’s prison diary, newly expanded, appears in English for the first time. Offering unprecedented intimacy with the everyday life of the imprisoned everyman, Singh challenges us to look without flinching and question our assumptions about crime and punishment.
Ramchandra Singh (1949–2018), of Bangarmau village in Unnao district of Uttar Pradesh, was a member of the Communist Party of India (Marxist–Leninist) Red Star, and served on its Central Committee. He was part of the editorial board of Red Star Monthly (Hindi). He passed away when this book was in press.
Madhu Singh is a professor in the Department of English and Modern European Languages, University of Lucknow. She has previously translated the scholar G.N. Devy’s work, A Nomad Called Thief, into Hindi as Ghumantu Hain Chor Nahin.
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