The Art of War
₨ 318.00
The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
Twenty-Five Hundred years ago, Sun Tzu wrote this classic book of military strategy based on Chinese warfare and military thought. Since that time, all levels of military have used the teaching on Sun Tzu to warfare and civilization have adapted these teachings for use in politics, business and everyday life. The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
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Culture and Imperialism is a 1993 collection of essays by Edward Said, in which the author attempts to trace the connection between imperialism and culture in the 18th, 19th, and 20th centuries. It followed his highly influential Orientalism, published in 1978.
Said conceived of Culture and Imperialism as an attempt to “expand the argument” of Orientalism “to describe a more general pattern of relationships between the modern metropolitan west and its overseas territories.
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
Translated from the Hindi by Madhu Singh With a foreword by Angela Y. Davis
September 1970. Ramchandra Singh enters the Hardoi District Jail in Uttar Pradesh as a naxalite undertrial. Barely twenty, his life of expanding prospects—in studies, politics and love—is reduced to the horizon of a life term. The odds are stacked against the survival of his humanity and imagination, but Singh regenerates his gifts of empathy, humour, reflection and, above all, language—in a secret diary smuggled out with the help of friends.
A singular record of recent history and of individual witness, Singh’s prison diary, newly expanded, appears in English for the first time. Offering unprecedented intimacy with the everyday life of the imprisoned everyman, Singh challenges us to look without flinching and question our assumptions about crime and punishment.
Ramchandra Singh (1949–2018), of Bangarmau village in Unnao district of Uttar Pradesh, was a member of the Communist Party of India (Marxist–Leninist) Red Star, and served on its Central Committee. He was part of the editorial board of Red Star Monthly (Hindi). He passed away when this book was in press.
Madhu Singh is a professor in the Department of English and Modern European Languages, University of Lucknow. She has previously translated the scholar G.N. Devy’s work, A Nomad Called Thief, into Hindi as Ghumantu Hain Chor Nahin.
The poor in India are, too often, reduced to statistics. In the dry language of development reports and economic projections, the true misery of the 312 million who live below the poverty line, or the 26 million displaced by various projects, or the 13 million who suffer from tuberculosis gets overlooked. In this thoroughly researched study of the poorest of the poor, we get to see how they manage, what sustains them, and the efforts, often ludicrous, to do something for them. The people who figure in this book typify the lives and aspirations of a large section of Indian society, and their stories present us with the true face of development.
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