In January 1941, Netaji made a dramatic escape from his Calcutta residence where he had been kept under house arrest by the British. Prior to that, he had been a member of the Indian civil services, but resigned to fight for his country’s independence. His public life was stormy and eventful, culminating in his appointment as Congress president even against the wishes of Mahatma Gandhi.
He organized the Indian National Army, turning men into officers, uniting them in the country’s cause, irrespective of religion, caste, sect or region. The Red Fort trials revealed his story, as well as that of the INA, to the Indian people, inspiring them to rise one last time against the British before finally being granted independence.
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Purple Hibiscus is set in postcolonial Nigeria, a country beset by political instability and economic difficulties. The central character is Kambili Achike, aged fifteen for much of the period covered by the book, a member of a wealthy family dominated by her devoutly Catholic father, Eugene. Eugene is both a religious zealot and a violent figure in the Achike household, subjecting his wife Beatrice, Kambili herself, and her brother Jaja to beatings and psychological cruelty.
The story is told through Kambili’s eyes and is essentially about the disintegration of her family unit and her struggle to grow to maturity. A key period is the time Kambili and her brother spend at the house of her father’s sister, Ifeoma, and her three children. This household offers a marked contrast to what Kambili and Jaja are used to. It practices a completely different form of Catholicism, making for a happy, liberal place that encourages its members to speak their minds. In this nurturing environment, both Kambili and Jaja become more open and more able to voice their own opinions. While at Aunty Ifeoma’s, Kambili also falls in love with a young priest, Father Amadi, which awakens her sense of her own sexuality.
Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
Ed. Salim Yusufji With an introduction by Bama
This book is an attempt at intimacy with B.R. Ambedkar in his hours away from history and headlines. The aim here is to recover the ephemera that attended Ambedkar’s life and died with him—his pleasure in his library and book-collecting, his vein of gruff humour, the sensation of seeing him in the flesh for the first time, or of stepping out of a summer storm into his house and hearing him at practice on his violin. Here, we have his attendants, admirers and companions speak of Ambedkar’s love of the sherwani, kurta, lungi, dhoti, and even his sudden paean to elasticated underpants. We meet Ambedkar the lover of dogs and outsize fountain pens, proponent of sex education and contraception, anti-prohibitionist teetotaler and occasional cook.
The fragments that make up this volume enable the recovery of his many facets—a rewarding biographical quest.
Stretcher-Bearer of Empire
In the pantheon of global liberation heroes, Mohandas Karamchand Gandhi has pride of place. Leaders like Mandela have lauded him as being part of the epic battle to defeat the white regime and prepare the way for a non-racial country. A popular sentiment in South Africa goes: ‘India gave us Mohandas, and we returned him to you as Mahatma’.
Against this background, The South African Gandhi: Stretcher-Bearer of Empire unravels the complex story of a man who, throughout his stay on African soil (1893–1914), remained true to Empire while expressing disdain for Africans. For Gandhi, whites and Indians were bound by an Aryan bloodline that had no place for the African. His racism was matched by his class (and caste) prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and wrote their struggles out of history—struggles this book documents.
The authors show that Gandhi never missed an opportunity to demonstrate his loyalty to Empire, with a particular penchant for war. He served as stretcher-bearer in the war between Brit and Boer, demanded that Indians be allowed to carry fire-arms, and recruited volunteers for the imperial army in both England and India during the First World War.
Ashwin Desai is Professor of Sociology at the University of Johannesburg. His previous books include South Africa: Still Revolting, ‘We are the Poors’: Community Struggles in Post-Apartheid South Africa and Reading Revolution: Shakespeare on Robben Island among others.
Goolam Vahed is Associate Professor of History at the University of KwaZulu Natal. He writes on histories of migration, ethnicity, religion, and identity formation among Indian South Africans.
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
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