My Autobiography | Charles Chaplin
₨ 1,118.40
My Autobiography is a book by Charlie Chaplin, first published by Simon & Schuster in 1964. Along with Chaplin: His Life and Art, it provided the source material for the 1992 feature film Chaplin. It provides a revealing look into the life of a 20th-century filmmaker and celebrity. The Chicago Tribune said the book was “The best autobiography ever written by an actor. An astonishing work.”
My Autobiography is a book by Charlie Chaplin, first published by Simon & Schuster in 1964. Along with Chaplin: His Life and Art, it provided the source material for the 1992 feature film Chaplin. It provides a revealing look into the life of a 20th-century filmmaker and celebrity. The Chicago Tribune said the book was “The best autobiography ever written by an actor. An astonishing work.”
Related products
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
Fanshen: A Documentary of Revolution in a Chinese Village is a 1966 book by William H. Hinton that describes the land-reform campaign during the Chinese Civil War conducted from 1945 to 1948 by the Chinese Communist Party in “Long Bow Village” (the name used in the book for the village of Zhangzhuangcun in Shanxi province). Hinton lived in the village in spring and summer of 1948 and witnessed scenes described in the book and recreates earlier events based on local records and interviews with participants. He explains party strategy to present the campaign’s successes in building a revolutionary consciousness and a power-base among the poor peasants, but also its errors and excesses, especially the violence toward rich peasants and landlords. Fanshen has been compared to Edgar Snow’s Red Star Over China and characterized as “perhaps the book that most changed American cold war perceptions of the Chinese Revolution.”
Originally published: 1966
Author: William H. Hinton
Translated from the Hindi by Madhu Singh With a foreword by Angela Y. Davis
September 1970. Ramchandra Singh enters the Hardoi District Jail in Uttar Pradesh as a naxalite undertrial. Barely twenty, his life of expanding prospects—in studies, politics and love—is reduced to the horizon of a life term. The odds are stacked against the survival of his humanity and imagination, but Singh regenerates his gifts of empathy, humour, reflection and, above all, language—in a secret diary smuggled out with the help of friends.
A singular record of recent history and of individual witness, Singh’s prison diary, newly expanded, appears in English for the first time. Offering unprecedented intimacy with the everyday life of the imprisoned everyman, Singh challenges us to look without flinching and question our assumptions about crime and punishment.
Ramchandra Singh (1949–2018), of Bangarmau village in Unnao district of Uttar Pradesh, was a member of the Communist Party of India (Marxist–Leninist) Red Star, and served on its Central Committee. He was part of the editorial board of Red Star Monthly (Hindi). He passed away when this book was in press.
Madhu Singh is a professor in the Department of English and Modern European Languages, University of Lucknow. She has previously translated the scholar G.N. Devy’s work, A Nomad Called Thief, into Hindi as Ghumantu Hain Chor Nahin.
Reviews
There are no reviews yet.