Kingdom’s End: Selected Stories | Saadat Hasan Manto
₨ 638.40
This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Writing with great feeling and empathy about the fallen and the rejects of society, Manto the supreme humanist shows how the essential goodness of people does not die even in the face of unimaginable suffering. Powerful and deeply moving, these stories remain as relevant today as they were first published more than half a century ago.
- Categories: Books, Fiction
- Tags: Kingdom's End: Selected Stories, Leftshop, leftshopnepal, radical readings, rare books, rare readings, red books, Saadat Hasan Manto
The most widely read and the most translated writer in Urdu. Saadat Hasan Manto (1912-1955) is also the most controversial: he was tried for obscenity no less than six times, both before and after the departure of the British from India in 1947. In a writing career spanning over two decades, Manto, one of Urdu’s great stylists, produced a powerful and original body of work including short stories, a novel, radio plays, essays and film scripts.
This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Writing with great feeling and empathy about the fallen and the rejects of society, Manto the supreme humanist shows how the essential goodness of people does not die even in the face of unimaginable suffering. Powerful and deeply moving, these stories remain as relevant today as they were first published more than half a century ago.
Related products
Choudhury, here, reignites the debate over the appropriation of Ambedkar. Amidst rising echoes for Ambedkar-Marx, Ambedkar-Marx-Bhagat Singh, Ambedkar-Marx-Gandhi-Bhagat Singh, he provocatively asks us to think of Ambedkar’s singular exceptionality—from an excerpt in Indian Cultural Forum
What is most interesting about this difficult but beautiful book is that it is committed to the task of exposing the naked antagonisms that snake across the cracked surfaces of these oppressive structures. —Scroll.in
Nowadays when Ambedkar scholarship has become an industry, Choudhury’s thesis approaches him from an entirely new perspective.—The Telegraph
Georgy Valentinovich Plekhanov, 1857–1918, a Russian revolutionary and founder of Marxism in Russia and known as the “Father of Russian Marxism.” His best works in the fields of history, philosophy, aesthetics, social and politics, especially the philosophy of historical materialism, were contributions that very valuable for the development of scientific thought and progressive culture.
Publisher: Aakar Books (1869)
Fanshen: A Documentary of Revolution in a Chinese Village is a 1966 book by William H. Hinton that describes the land-reform campaign during the Chinese Civil War conducted from 1945 to 1948 by the Chinese Communist Party in “Long Bow Village” (the name used in the book for the village of Zhangzhuangcun in Shanxi province). Hinton lived in the village in spring and summer of 1948 and witnessed scenes described in the book and recreates earlier events based on local records and interviews with participants. He explains party strategy to present the campaign’s successes in building a revolutionary consciousness and a power-base among the poor peasants, but also its errors and excesses, especially the violence toward rich peasants and landlords. Fanshen has been compared to Edgar Snow’s Red Star Over China and characterized as “perhaps the book that most changed American cold war perceptions of the Chinese Revolution.”
Originally published: 1966
Author: William H. Hinton
Poems selected and translated from Marathi by Dilip Chitre
Namdeo Dhasal tr. Dilip Chitre
‘This is Mumbai without her makeup, her botox, her power yoga; the Mumbai that seethes, unruly, menacing, yet vitally alive’—The Hindu
‘This elegant book is a journey through the bowels of those quarters over which we have constructed robust mental flyovers’—The Sunday Times of India
‘Chitre succeeds in reproducing the images and metaphors of Dhasal’s work, and his unmistakable, hard-hitting voice’—Outlook
‘Dhasal employs an aesthetic of fracture… towards writing into existence the continuing alienation of dalits seduced by the shiny assurances of a still-new nation’—Biblio: A Review of Books
Reviews
There are no reviews yet.