Kingdom’s End: Selected Stories | Saadat Hasan Manto
₨ 638.40
This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Writing with great feeling and empathy about the fallen and the rejects of society, Manto the supreme humanist shows how the essential goodness of people does not die even in the face of unimaginable suffering. Powerful and deeply moving, these stories remain as relevant today as they were first published more than half a century ago.
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The most widely read and the most translated writer in Urdu. Saadat Hasan Manto (1912-1955) is also the most controversial: he was tried for obscenity no less than six times, both before and after the departure of the British from India in 1947. In a writing career spanning over two decades, Manto, one of Urdu’s great stylists, produced a powerful and original body of work including short stories, a novel, radio plays, essays and film scripts.
This collection brings together some of Manto’s finest stories, ranging from his chilling recounting of the horrors of Partition to his portrayal of the underworld. Writing with great feeling and empathy about the fallen and the rejects of society, Manto the supreme humanist shows how the essential goodness of people does not die even in the face of unimaginable suffering. Powerful and deeply moving, these stories remain as relevant today as they were first published more than half a century ago.
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‘Dhasal employs an aesthetic of fracture… towards writing into existence the continuing alienation of dalits seduced by the shiny assurances of a still-new nation’—Biblio: A Review of Books
‘Editors K. Satyanarayana and Susie Tharu have drawn from their previous experience editing anthologies of Dalit writing from south India to collate poetry, essays, memoir and fiction into an immersive experience of Dalit literature as both aesthetic and socio-political identity.’— LiveMint
Read an excerpt published in the Hindustan Times.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
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