Inquilab Zindabaad इन्कलाब जिन्दावाद T-shirt
₨ 650.00
This tshirt is designed for all the activist, revolutionary, and leaders who are fighting their own battle to win the revolution. The vintage design reads “Long Live the Revolution – इन्कलाब जिन्दावाद” in Ranjana Lipi.
Tshirt Material : Combed Cotton
Sizes Available : M, L, XL
Tshirt Color : Black
Print Color : Blood Red
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Arrow of God is a 1964 novel by Chinua Achebe, his third. It followed his book Things Fall Apart. These two works, along with the third book, No Longer at Ease, are sometimes called The African Trilogy, as they share similar settings and themes. The novel centers on Ezeulu, the chief priest of several Igbo villages in Colonial Nigeria, who confronts colonial powers and Christian missionaries in the 1920s. The novel was published as part of the influential Heinemann African Writers Series.
The phrase “Arrow of God” is drawn from an Igbo proverb in which a person, or sometimes an event, is said to represent the will of God. Arrow of God won the first ever Jock Campbell/New Statesman Prize for African writing.
Ed. Salim Yusufji With an introduction by Bama
This book is an attempt at intimacy with B.R. Ambedkar in his hours away from history and headlines. The aim here is to recover the ephemera that attended Ambedkar’s life and died with him—his pleasure in his library and book-collecting, his vein of gruff humour, the sensation of seeing him in the flesh for the first time, or of stepping out of a summer storm into his house and hearing him at practice on his violin. Here, we have his attendants, admirers and companions speak of Ambedkar’s love of the sherwani, kurta, lungi, dhoti, and even his sudden paean to elasticated underpants. We meet Ambedkar the lover of dogs and outsize fountain pens, proponent of sex education and contraception, anti-prohibitionist teetotaler and occasional cook.
The fragments that make up this volume enable the recovery of his many facets—a rewarding biographical quest.
‘To be sure, When Google Met WikiLeaks is a vital book, an admirably direct and clear-eyed attempt to make sense of the modern-day privacy and freedom of speech debates’—The Sunday Guardian
‘For those interested to know how present-day geopolitics, surveillance, censorship and publishing (if not foreign policy itself) are being shaped by the gods of the internet, this is recommended reading’—The Telegraph
‘In When Google Met Wikileaks, Assange makes a case for the dark net by suggesting that the open web site we all know best has sinister intentions’—The Independent
‘The most important accomplishment of the book may be the connection Assange establishes between the Google Politic and the ambitions set loose in Digital Age’—Prague Post
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
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