Haroun And The Sea Of Stories | Salman Rushdie
₨ 535.00
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
“Though there is darkness and silence at the center of Chup, most of Haroun and the Sea of Stories is full of comic energy and lively verbal invention. . . .Though [the book] is sure to be enjoyed by children, it also contains amusements for adults.” — The New York Times
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
“Though there is darkness and silence at the center of Chup, most of Haroun and the Sea of Stories is full of comic energy and lively verbal invention. . . .Though [the book] is sure to be enjoyed by children, it also contains amusements for adults.” — The New York Times
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Choudhury, here, reignites the debate over the appropriation of Ambedkar. Amidst rising echoes for Ambedkar-Marx, Ambedkar-Marx-Bhagat Singh, Ambedkar-Marx-Gandhi-Bhagat Singh, he provocatively asks us to think of Ambedkar’s singular exceptionality—from an excerpt in Indian Cultural Forum
What is most interesting about this difficult but beautiful book is that it is committed to the task of exposing the naked antagonisms that snake across the cracked surfaces of these oppressive structures. —Scroll.in
Nowadays when Ambedkar scholarship has become an industry, Choudhury’s thesis approaches him from an entirely new perspective.—The Telegraph
Fanshen: A Documentary of Revolution in a Chinese Village is a 1966 book by William H. Hinton that describes the land-reform campaign during the Chinese Civil War conducted from 1945 to 1948 by the Chinese Communist Party in “Long Bow Village” (the name used in the book for the village of Zhangzhuangcun in Shanxi province). Hinton lived in the village in spring and summer of 1948 and witnessed scenes described in the book and recreates earlier events based on local records and interviews with participants. He explains party strategy to present the campaign’s successes in building a revolutionary consciousness and a power-base among the poor peasants, but also its errors and excesses, especially the violence toward rich peasants and landlords. Fanshen has been compared to Edgar Snow’s Red Star Over China and characterized as “perhaps the book that most changed American cold war perceptions of the Chinese Revolution.”
Originally published: 1966
Author: William H. Hinton
Stretcher-Bearer of Empire
In the pantheon of global liberation heroes, Mohandas Karamchand Gandhi has pride of place. Leaders like Mandela have lauded him as being part of the epic battle to defeat the white regime and prepare the way for a non-racial country. A popular sentiment in South Africa goes: ‘India gave us Mohandas, and we returned him to you as Mahatma’.
Against this background, The South African Gandhi: Stretcher-Bearer of Empire unravels the complex story of a man who, throughout his stay on African soil (1893–1914), remained true to Empire while expressing disdain for Africans. For Gandhi, whites and Indians were bound by an Aryan bloodline that had no place for the African. His racism was matched by his class (and caste) prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and wrote their struggles out of history—struggles this book documents.
The authors show that Gandhi never missed an opportunity to demonstrate his loyalty to Empire, with a particular penchant for war. He served as stretcher-bearer in the war between Brit and Boer, demanded that Indians be allowed to carry fire-arms, and recruited volunteers for the imperial army in both England and India during the First World War.
Ashwin Desai is Professor of Sociology at the University of Johannesburg. His previous books include South Africa: Still Revolting, ‘We are the Poors’: Community Struggles in Post-Apartheid South Africa and Reading Revolution: Shakespeare on Robben Island among others.
Goolam Vahed is Associate Professor of History at the University of KwaZulu Natal. He writes on histories of migration, ethnicity, religion, and identity formation among Indian South Africans.
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
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