Haroun And The Sea Of Stories | Salman Rushdie
₨ 535.00
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
“Though there is darkness and silence at the center of Chup, most of Haroun and the Sea of Stories is full of comic energy and lively verbal invention. . . .Though [the book] is sure to be enjoyed by children, it also contains amusements for adults.” — The New York Times
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie’s classic children’s novel Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, and The Wizard of Oz. In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.
“Though there is darkness and silence at the center of Chup, most of Haroun and the Sea of Stories is full of comic energy and lively verbal invention. . . .Though [the book] is sure to be enjoyed by children, it also contains amusements for adults.” — The New York Times
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The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
Fanshen: A Documentary of Revolution in a Chinese Village is a 1966 book by William H. Hinton that describes the land-reform campaign during the Chinese Civil War conducted from 1945 to 1948 by the Chinese Communist Party in “Long Bow Village” (the name used in the book for the village of Zhangzhuangcun in Shanxi province). Hinton lived in the village in spring and summer of 1948 and witnessed scenes described in the book and recreates earlier events based on local records and interviews with participants. He explains party strategy to present the campaign’s successes in building a revolutionary consciousness and a power-base among the poor peasants, but also its errors and excesses, especially the violence toward rich peasants and landlords. Fanshen has been compared to Edgar Snow’s Red Star Over China and characterized as “perhaps the book that most changed American cold war perceptions of the Chinese Revolution.”
Originally published: 1966
Author: William H. Hinton
Trotsky’s theory of the permanent revolution is one of the most important additions to the arsenal of marxism. It was first developed by Trotsky in 1904, on the eve of the first Russian Revolution. At that time, all the tendencies of the Russian Social Democracy had the perspective of a bourgeois democratic revolution. Trotsky alone in 1905 put forward the idea that the Russian working class could come to power before the workers of Western Europe. The correctness of Trotsky’s theory was brilliantly demonstrated in 1917, when the Bolshevik Party under Lenin and Trotsky led the Russian proletariat to power in the first workers state in the world.
However, after the death of Lenin in 1924, the theory of the permanent revolution was subject to a vitriolic onslaught by the stalinist bureaucracy, which had in effect renounced world revolution in favour of “socialism in one country”. The attack on the theory came to epitomise the struggle against “Trotskyism”. Today, however, with the collapse of Stalinism (and with it “socialism in one country”), Trotsky’s theory of the permanent revolution has become more relevant than ever.
Publisher : Aakar Publications
‘Editors K. Satyanarayana and Susie Tharu have drawn from their previous experience editing anthologies of Dalit writing from south India to collate poetry, essays, memoir and fiction into an immersive experience of Dalit literature as both aesthetic and socio-political identity.’— LiveMint
Read an excerpt published in the Hindustan Times.
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