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THIS ASTONISHING BOOK by the Nobel laureate Gabriel García Márquez chronicles the 1990 kidnappings of ten Colombian man and women–all journalists but one–by the Medellín drug boss Pablo Escobar. The carefully orchestrated abductions were Escobar’s attempt to extort from the government its assurance that he, and other narcotics traffickers, would not be extradited to the United States if they were to surrender.
The Ambedkar Cartoons, 1932–1956
Unnamati Syama Sundar with a Foreword by Suraj Yengde
This history like no other asks you to consider what you are laughing at.
In 2012, the inclusion of a 1949 cartoon by Shankar showing Jawaharlal Nehru whipping a snail-borne B.R. Ambedkar in a school textbook, evoked dalit protest, and a savarna counter on the grounds of artistic freedom. Scholar and cartoonist Unnamati Syama Sundar then undertook an archival survey of cartoons on Ambedkar in the English language press. The result, a collection of over a hundred cartoons from India’s leading publications, drawn by Shankar, Enver Ahmed and R.K. Laxman, among others, lays bare the perverse and thoughtless hostility Ambedkar often contended with. The incisional commentary woven around each cartoon offers a veritable biography of a man historically wronged.
Unnamati Syama Sundar grew up in Vijayawada on a diet of Calvin and Hobbes, Dennis the Menace, Chacha Chaudhary and Amar Chitra Katha. He is doing his doctoral research at Jawaharlal Nehru University on the art featured in Chandamama, the popular Telugu children’s magazine founded in 1947. Syama Sundar is well-known for his Ambedkarite cartoons in the non-savarna social media world. His work is featured regularly on the website roundtableindia.co.in.
No Longer at Ease is a 1960 novel by Nigerian author Chinua Achebe. It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Nigerian colonial civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe. The novel is the second work in what is sometimes referred to as the “African trilogy”, following Things Fall Apart and preceding Arrow of God. Things Fall Apart concerns the struggle of Obi Okonkwo’s grandfather Okonkwo against the changes brought by the English.
No Longer at Ease is a 1960 novel by Nigerian author Chinua Achebe. It is the story of an Igbo man, Obi Okonkwo, who leaves his village for an education in Britain and then a job in the Nigerian colonial civil service, but is conflicted between his African culture and Western lifestyle and ends up taking a bribe. The novel is the second work in what is sometimes referred to as the “African trilogy”, following Things Fall Apart and preceding Arrow of God. Things Fall Apart concerns the struggle of Obi Okonkwo’s grandfather Okonkwo against the changes brought by the English.
Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electric shock therapy. But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy’s heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey’s extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.
The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as “magical realism.”
Purple Hibiscus is set in postcolonial Nigeria, a country beset by political instability and economic difficulties. The central character is Kambili Achike, aged fifteen for much of the period covered by the book, a member of a wealthy family dominated by her devoutly Catholic father, Eugene. Eugene is both a religious zealot and a violent figure in the Achike household, subjecting his wife Beatrice, Kambili herself, and her brother Jaja to beatings and psychological cruelty.
The story is told through Kambili’s eyes and is essentially about the disintegration of her family unit and her struggle to grow to maturity. A key period is the time Kambili and her brother spend at the house of her father’s sister, Ifeoma, and her three children. This household offers a marked contrast to what Kambili and Jaja are used to. It practices a completely different form of Catholicism, making for a happy, liberal place that encourages its members to speak their minds. In this nurturing environment, both Kambili and Jaja become more open and more able to voice their own opinions. While at Aunty Ifeoma’s, Kambili also falls in love with a young priest, Father Amadi, which awakens her sense of her own sexuality.
Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.
In 1967, Naxalbari, a village in West Bengal, became the centre of a Mao inspired militant peasant uprising guided by firebrand intellectuals. Today, Naxalism is no longer the Che Guevara-style revolution that it was. Spread across 15 of India’s 28 states, it is one of the world’s biggest, most sophisticated extreme-Left movements, and feeds off the misery and anger of the dispossessed. Since the late 1990s, hardly a week has passed without people dying in strikes and counter-strikes by the Maoists – interchangeably known as the Naxalites – and police and paramilitary forces.
In this disturbing examination of the ‘Other India’, Sudeep Chakravarti combines political history extensive interviews and individual case histories as he travels to the heart of Maoist zones in the country: Chhattisgarh (home to the controversial state-sponsored Salwa Judum programme to contain Naxalism), Jharkhand, West Bengal, Karnataka and Andhra Pradesh (where a serving chief minister was nearly killed in a landmine explosion triggered by the Naxalites). He meets Maoist leaders and sympathizers, policemen, bureaucrats, politicians, security analysts, development workers, farmers and tribals – people, big and small, who comprise the actors and the audience in this war being fought in jungles and impoverished villages across India. What emerges is a sobering picture of a deeply divided society, and the dangers that lie ahead for India.
A perfect tool for young readers as they grow into the leaders of tomorrow, Veronica Chambers’s inspiring collection of profiles—along with Senator Cory Booker’s stirring foreword—will inspire readers of all ages to stand up for what’s right.
Revolutionaries is vintage Hobsbawm, written masterfully amid one of the century’s most intense periods of political and social upheaval, putting those events in historical context. Few observers were as astute as Hobsbawm at probing, criticizing, and clarifying radical movements, whether in Beijing or Berkeley. Ranging from historical investigations into communism to contemporary appraisals of revolutionary movements and meditations on Marxism, Hobsbawm’s commentaries are essential guides to ideas and people that changed the face of the twentieth century.
Rights of Man (1791), a book by Thomas Paine, including 31 articles, posits that popular political revolution is permissible when a government does not safeguard the natural rights of its people. Using these points as a base it defends the French Revolution against Edmund Burke’s attack in Reflections on the Revolution in France (1790).
It was published in two parts in March 1791 and February 1792.
Shalimar the Clown is a 2005 novel by Salman Rushdie. The novel took Rushdie four years to write, and was initially published on 6 September 2005 by Jonathan Cape. Shalimar the Clown derives its name from Shalimar Gardens, in the vicinity of Srinagar. Srinagar is one of several Mughal Gardens, which were laid out in several parts of undivided India when the Mughals reigned over the subcontinent. Shalimar is also the name of one of the characters featured in the novel. Shalimar the Clown won the 2005 Vodafone Crossword Book Award and was one of the finalists for the 2005 Whitbread Book Awards.
Shame is Salman Rushdie’s third novel, published in 1983. This book was written out of a desire to approach the problem of “artificial” (other-made) country divisions, their residents’ complicity, and the problems of post-colonialism, when Pakistan was created to separate the Muslims from the Hindus, when England gave up control of “India”…
The book was written in the style of magic realism. It portrays the lives of Iskander Harappa (sometimes assumed to be Zulfikar Ali Bhutto), and General Raza Hyder (sometimes assumed to be General Muhammad Zia-ul-Haq), and their relationship. The central theme of the novel is that begetting “shame” begets violence. The concepts of ‘shame’ and ‘shamelessness’ are explored through all of the characters, with main focus on Sufiya Zinobia and Omar Khayyám.
This is the true story of Sikkim, a tiny Buddhist kingdom in the Himalayas that survived the end of the British Empire only to be annexed by India in 1975.It tells the remarkable tale of Thondup Namgyal, the last King of Sikkim, and his American wife, Hope Cooke, thrust unwittingly into the spotlight as they sought support for Sikkim’s independence after their ‘fairytale’ wedding in 1963. As tensions between India and China spilled over into war in the Himalayas, Sikkim became a pawn in the Cold War in Asia during the 1960s and 1970s. Rumours circulated that Hope was a CIA spy. Meanwhile, a shadowy Scottish adventuress, the Kazini of Chakung, married to Sikkim’s leading political figure, coordinated opposition to the Palace. As the world’s major powers jostled for regional supremacy during the early 1970s Sikkim and its ruling family never stood a chance. On the eve of declaring an Emergency across India, Indira Gandhi outwitted everyone to bring down the curtain on the 300 year-old Namgyal dynasty.Based on interviews and archive research, as well as a retracing of a journey the author’s grandfather made in 1922, this is a thrilling, romantic and informative glimpse of a real-life Shangri-La.
This book made history. It wasn’t banned, not quite, when it first appeared in 1984, but its disappearance was cleverly managed so that few got to read the only authentic account of how a protected kingdom became India’s twenty-second state. As the Hon. David Astor, editor of The Observer in London, wrote, Sunanda K. Datta-Ray was ‘alone in witnessing and communicating the essential story’. He had to surmount many obstacles and incur severe disapproval to do so. Nearly thirty years later, a revised edition with the author’s long new introduction reads like an exciting thriller. Rich with dances and durbars, lamaist rituals, intrigue and espionage, it brings vividly to life the dramatis personae of this Himalayan drama—Sikkim’s sad last king, Chogyal Palden Thondup Namgyal, and his vivacious American queen, Hope Cooke; bumbling Kazi Lendhup Dorji and his scheming Kazini, whose nationality and even her name were shrouded in mystery, and who played into the hands of more powerful strategists. Citing documents that have not been seen by any other writer, the book analyses law and politics with masterly skill to recreate the Sikkim saga against the background of a twentieth-century Great Game involving India and China. Smash and Grab: Annexation of Sikkim didn’t only make history. It is history.
Unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s. Saadat Hasan Manto, one of the greatest short story writers of the Urdu language, was also a film journalist and story-writer for the Hindi film industry in Bombay. As an insider he was privy to the most private moments of the men and women who have dazzled generations of audiences. In this series of sketches, Ashok Kumar, the screen idol of yore, emerges as a shy, yet brilliant actor, forever looking to flee the eager advances of his female fans; Nargis comes across as just another young girl looking for companionship among her peers before she steps on the ladder that will forever take her away from the comforts of an ordinary middle-class life; and Shyam the dashing, handsome hero is portrayed as a straightforward, flirtatious young man pining for the woman he loves. Manto also describes in detail the obsessions of Sitara Devi; the unfulfilled desires of Paro Devi; and the intriguing twists and turns which transform Neena Devi from an ordinary housewife into a pawn in the hands of film companies. He writes with relish about the bunglings of the comedian V.H. Desai and the incredible dedication of Nawab Kaashmiri to the art of acting. There are also stories about the rise of Nur Jehan as the greatest singer of her times; and the various peccadilloes of the musician, Rafiq Ghaznavi. With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty.
With subjects ranging from film journalism to the sexual eccentricities of these stars, Manto brings to life a generation with his characteristic verve and honesty. The book provides unforgettable reminiscences about the eccentric, glamorous, yet angst-ridden Hindi film world of the 1940s.
In Barcelona, an aging Brazilian prostitute trains her dog to weep at the grave she has chosen for herself. In Vienna, a woman parlays her gift for seeing the future into a fortunetelling position with a wealthy family. In Geneva, an ambulance driver and his wife take in the lonely, apparently dying ex-President of a Caribbean country, only to discover that his political ambition is very much intact.
In these twelve masterful short stories about the lives of Latin Americans in Europe, García Márquez conveys the peculiar amalgam of melancholy, tenacity, sorrow, and aspiration that is the émigré experience.
In this book, Eric Hobsbawm chronicles the events and trends that led to the triumph of private enterprise and its exponents in the years between 1848 and 1875. Along with Hobsbawm’s other volumes, this book constitutes and intellectual key to the origins of the world in which we now live.
Although it pulses with great events—failed revolutions, catastrophic wars, and a global depression—The Age of Capital is most outstanding for its analyis of the trends that created the new order. With the sweep and sophistication that have made him one of our greatest historians, Hobsbawm indentifies this epoch’s winners and losers, its institutions, ideologies, science, and religion.
The Art of War is a book which should be used to gain advantage of opponents in the boardroom and battlefield alike.
The Art of War, an ancient Chinese text dating from the Spring and Autumn period of the fifth century BC., is a military treatise attributed to the military strategist, Sun Tzu, also called Sunzi. Each of the thirteen chapters discusses a different aspect of warfare and how it applies to military strategy and tactics. For nearly 1,500 years, it was the lead text in an anthology, which in 1080 became known as Seven Military Classics by the Emperor Shenzong of Song.
Publisher : FP